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Showing posts from July, 2020

Week 14★July 31st DIGITAL FILMMAKING & NEW MEDIA II

Required Reading Flaxman, G. (2018). Cinema in the Age of Control. In Beckman F. (Ed.),  Control Culture: Foucault and Deleuze after Discipline  (pp. 121-140). Edinburgh: Edinburgh University Press. Retrieved March 29, 2020, from www.jstor.org/stable/10.3366/j.ctv7n08g6.12 Hagener, M., Hediger, V., & Strohmaier, A. (2016). Introduction: Like Water: On the Re-Configurations of the Cinema in the Age of Digital Networks. In M. Hagener, V. Hediger, & A. Strohmaier (Eds.), The State of Post-Cinema (pp. 1–13). Palgrave Macmillan. https://doi.org/10.1057/978-1-137-52939-8

Week 14★July 24th DIGITAL FILMMAKING & NEW MEDIA II

Required Reading Bryan-Wilson, J., & Piekut, B. (2019). Amateurism. Third Text , 8822 . https://doi.org/10.1080/09528822.2019.1682812 Lee, R. L. M. (2016). Diagnosing the Selfie: Pathology or Parody?: Networking the Spectacle in Late Capitalism. Third Text , 30 (3–4), 264–273. https://doi.org/10.1080/09528822.2017.1315901

Week 12★July 10th GENDER & BIOPOLITICS II

Required Reading Huang, A. (2017). Precariousness and The Queer Politics of Imagination in China . Culture, Theory and Critique: QUEER ASIA AS CRITIQUE , 58(2), 226-242. Siegel, M. (2016). The Secret Lives of Images . In M. Hagener, V. Hediger, & A. Strohmaier (Eds.), The State of Post-Cinema (pp. 195–209). Palgrave Macmillan UK. https://doi.org/10.1057/978-1-137-52939-8

Week 11★July 10th GENDER & BIOPOLITICS I

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