SEMINAR guidance
Dear all, Here is the basic outline of the flow for our seminar sessions
Posts
Week 14★July 13th POTATOES, MUD, AND THE HAUNTING HISTORY [group presentation]
Homework Viewing : Dear Pyongyang . 2006. Dir. Yang Yong-hi. (you can find it at YouTube) Required Readings: Lee Sohl. “Meul O’s Cinema as Ritual Space." Asian Cinema and the Use of Space: Interdisciplinary Perspectives (2015): 171-186.[please read the right chapter] Jin Cheon (2015) The camera in pain: memories of the Cold War in East Asian independent documentaries , Inter-Asia Cultural Studies , 16:1, 134-150 Reference Readings : Kuan-hsing Chen , Chin-Ya Hu & Chih-ming Wang (2013) Minjian East Asia Forum: feelings and imaginations , Inter-Asia Cultural Studies, 14:2, 327-333, DOI: 10.1080/14649373.2013.770115
Week 12★June 29th THAT ERA OF REVOLUTION AND MOVEMENT
Homework Viewing: PFLP: Declaration of World Order・赤軍-PFLP 世界戦争宣⾔ Dir. WAKAMATSU Koji・若松孝⼆, 1971 [please find the longer version online on your own] & AKA Serial Killer・略称連続射殺魔 Dir. ADACHI Masao・⾜立正⽣, 1969 [focus is on the AKA film] Required Readings Furuhata, Yuriko. 2013. ‘Diagramming the Landscape: Power and Fukeiron Discourse’. Cinema of actuality: Japanese avant-garde filmmaking in the season of image politics. Durham: Duke University Press Books.[click HERE] (please read the right chapter/Hijacking TV chapter is fun to read for Wakamatsu too; ask Ma Ran for the password, please) Reference Readings Alberto Toscano, and Go Hirasawa, “ Walls of Flesh: The Films of Koji Wakamatsu (1965–1972)”, Film Quarterly , Vol. 66, No. 4 (Summer 2013), pp. 41-49 Online resource: Texts concerning Adachi Masao, http://www.bordersphere.com/events/adachi3.htm
Week 11★June 22nd FORGETTING OKINAWA
Required Readings Jonathan Kear, 2007. “ a Game That Must Be Lost: Chris Marker Replays Alain Resnais’ Hiroshima mon amour” , The Image And The Witness: Trauma, Memory and Visual Culture, ed. Frances Guerin and Roger Hallas. Oguma, Eiji, Leonie R. Stickland, 2014. ‘ Introduction ’ & ‘ Conclusion ‘’’. The Boundaries of "the Japanese". 1-14 & 339-358 Rascoli, Laura. 2009. “T he Musealisation Of Experience: Chris Marker's Digital Subject Between Archive, Museum and Database” , The Personal Camera: Subjective Cinema and the Essay Film, London; New York: Wallflower Press, 64-82 Reference Reading Moriteru, Arasaki. 2014. “ Can Okinawa Be the ‘catalyst’ for Peace in East Asia ?” Inter-Asia Cultural Studies 15 (1). Taylor & Francis: 43–62.
