Submit it via email to maran@nagoya-u.jp NOTE: if you have not received my confirmation mail after the submission, mail me again; my university mail sometimes is not compatible with your mail system. BASICS 1) All my postgraduate students (PhD/MA) students (regardless of your registration status) are expected to submit ONE 500-800 word response paper (in WORD document); for research students, it is an option; 2) For this assignment, you should work on a specific topic from the syllabus (NOT possible to work on irrelevant topics, like a chapter from your own thesis), and you should engage with at least TWO reading(s) from the syllabus, and ONE external reading ; 3) The submitted WORD file should contain “ SEMINAR20” + the student’s name in its file name; 4) Preferred referencing style is Harvard (a link of the style has been embedded in the first post in our course...
Required Reading: David Bordwell & Kristin Thompson, “Postwar European Cinema: Neorealism and its context, 1945-1959”, Film History: An Introduction , McGraw-Hill Higher Education, 2010, 324-337 [here we give you the PDF version of the second edition in 2002, please pay attention to the page numbers CLICK HERE TO DOWNLOAD] Bert Cardullo. “What Is Neorealism?”, André Bazin and Italian Neorealism , Bert Cardullo et al. Continuum , 2011, 18-28 [click HERE to download] Reference Reading: Marilyn Fabe, “ Italian Neorealism—Vittorio De Sica’s The Bicycle Thief ”, Closely Watched Films: An Introduction to the Art of Narrative Film Technique , 2004, 99-119 [click HERE to download]
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