presentation plan

-
Dear all,

I should also put the plan here right?! Please check out who is your respondent ; )

No. Date & Topic Name of Presenters
1 Oct 15nd Arriving In The City: Space, Event and Cinema
 Venetia (respondent for Eri)

2 Oct 22nd the Disappearing City: Ruins & Monuments I

3 Oct 29th the Disappearing City: Ruins & Monuments II
 Hyoyeon (respondent for Venetia)

4 Nov 19th Invisible City: Dream, Desire & Memory I

5 Nov 26th Invisible City: Dream, Desire & Memory II
        --Case Study of Tsai Mingliang’s films
 Nora (respondent for Hyoyeon)

6 Dec 3rd Haunting Cities: the Uncanny and the Ghostly
 Josh (respondent for Nora)

7 Dec 10th Flaneur and Derive: Roaming in The City
 Maria (respondent for Josh)

8 Dec 17th Strangerhood in the Metropolis
 Julia (respondent for Maria)

9 Jan 14th Border Transgressed I: Minority, Diaspora and Refugee
 Xu Yixin & Panqin (respondent for Julia)

10 Jan 21 Global City
 Eri (respondent for Julia)

Comments

Post a Comment

Popular posts from this blog

Advertising and Consumer Culture

-
Dear all, Please prepare for your presentation by referring to the following documents: RR: Sturken & Cartwright,279-306 (chapter 7) SR: Slavoj Zizek, Back to School 2003, Abercrombie & Fitch Quarterly (PDF) both documents could be downloaded from here https://www.dropbox.com/sh/8h2bh7e6w5hkl2t/AAA02J9eOvJibkX1XtUh5nVNa if you have problem downloading, please email me to let me know
Read more

questions for Week 8 ★June 2rd & Make-up session (same day)

-
Image
Week 8 ★ June 2rd     Discussion Session Required Readings Dorman, Andrew. (2016). “Introduction” & “Cultural Specificity and Globalization”. Paradoxical Japaneseness: Cultural Representation in 21st Century Japanese Cinema . Palgrave McMillian. 1)     What is D’s basic assumption on ‘cultural specificity’ (think of our previous discussions of ‘multiculturalism’) and the ‘paradoxical nature’ of a national cinema? In other words, how has he tried to avoid the essentialist stance in tacking the ‘specificity’? Your thoughts? Try to recapitulate his points/framework apropos of Japanese cinema in one line. 2)     For D then, how do framings of ‘cultural concealment’ and ‘cultural performance’ connect with his major points, and his case studies, which range from specific filmmakers, production dynamics to (strategies for/of) film festivals? You thoughts/critiques? 3)     Review D’s discussions of national cinema, nation-state and globalization. What are his maj
Read more

Week 7★May 25th ACTING AGAINST THE REGIME: ACT OF KILLING

-
Image
Special Screening The Act of Killing                               Dir. Joshua Oppenheimer, 2012                                               Time: May 21 st Monday, 4:30 pm/Venue: Rm 131 Required Reading s : Camilla Møhring Reestorff (2015) Unruly artivism and the participatory documentary ecology of  The Act ofKilling , Studies in Documentary Film , 9:1, 10-27, DOI:10.1080/17503280.2014.1002248 Added Reference Reading Robert Cribb (2014) THE ACT OF KILLING , Critical Asian Studies, 46:1, 147-149, DOI: 10.1080/14672715.2014.867621 Rojas, Nubia. " Documentary cinema, memory and reconciliation: Aninterview with Joshua Oppenheimer, director of" The Act ofKilling "." Glocal Times 20 (2014).
Read more