WEEK 12/DEC 22ND FLÂNEUR AND STRANGERHOOD: ROAMING IN THE CITY

-







Required Readings
Georg Simmel, “the Stranger”
Also available online at:
http://midiacidada.org/img/O_Estrangeiro_SIMMEL.pdf

Linda Chiu-Han Lai, “Whither The Walker Goes: Spatial Practices And Negative Poetics In 1990s Chinese Urban Cinema”, The Urban Generation: Chinese Cinema And Society At The Turn Of The Twenty-First Century, eds. Zhang Zhen, 2007
[link: http://pan.baidu.com/s/1dDtjuUX 
password: 1d23]

Walter Benjamin, “On Some Motifs on Baudelaire”
[link: http://pan.baidu.com/s/1bn0EViJ 
password: 5ywu]

Reference Reading
Marshall Berman, “Baudelaire: Modernism in the Streets”
[we shared this file at the very beginning of this semester]

 

Thomas, Mcdonough. “the derive and Situationist Paris”, Situacionistas/Situationists: Arte, Politica, Urbanismo/Art, Politics, Urbanism

[click HERE]

 


Homework Viewing: Suzhou River, Dir. Lou Ye, 2000 

 please download the film's folder here
CLICK HERE


NOTE: please do NOT change files' names; and please put them in the same folder to play them.

Comments

Post a Comment

Popular posts from this blog

Advertising and Consumer Culture

-
Dear all, Please prepare for your presentation by referring to the following documents: RR: Sturken & Cartwright,279-306 (chapter 7) SR: Slavoj Zizek, Back to School 2003, Abercrombie & Fitch Quarterly (PDF) both documents could be downloaded from here https://www.dropbox.com/sh/8h2bh7e6w5hkl2t/AAA02J9eOvJibkX1XtUh5nVNa if you have problem downloading, please email me to let me know
Read more

questions for Week 8 ★June 2rd & Make-up session (same day)

-
Image
Week 8 ★ June 2rd     Discussion Session Required Readings Dorman, Andrew. (2016). “Introduction” & “Cultural Specificity and Globalization”. Paradoxical Japaneseness: Cultural Representation in 21st Century Japanese Cinema . Palgrave McMillian. 1)     What is D’s basic assumption on ‘cultural specificity’ (think of our previous discussions of ‘multiculturalism’) and the ‘paradoxical nature’ of a national cinema? In other words, how has he tried to avoid the essentialist stance in tacking the ‘specificity’? Your thoughts? Try to recapitulate his points/framework apropos of Japanese cinema in one line. 2)     For D then, how do framings of ‘cultural concealment’ and ‘cultural performance’ connect with his major points, and his case studies, which range from specific filmmakers, production dynamics to (strategies for/of) film festivals? You thoughts/critiques? 3)     Review D’s discussions of national cinema, nation-state and globalization. What are his maj
Read more

Week 7★May 25th ACTING AGAINST THE REGIME: ACT OF KILLING

-
Image
Special Screening The Act of Killing                               Dir. Joshua Oppenheimer, 2012                                               Time: May 21 st Monday, 4:30 pm/Venue: Rm 131 Required Reading s : Camilla Møhring Reestorff (2015) Unruly artivism and the participatory documentary ecology of  The Act ofKilling , Studies in Documentary Film , 9:1, 10-27, DOI:10.1080/17503280.2014.1002248 Added Reference Reading Robert Cribb (2014) THE ACT OF KILLING , Critical Asian Studies, 46:1, 147-149, DOI: 10.1080/14672715.2014.867621 Rojas, Nubia. " Documentary cinema, memory and reconciliation: Aninterview with Joshua Oppenheimer, director of" The Act ofKilling "." Glocal Times 20 (2014).
Read more