PG SEMINAR 2021: KEYWORDS IN RETHINKING ASIAN MEDIA AND CINEMA CULTURE

Submit it via email to maran@nagoya-u.jp NOTE: if you have not received my confirmation mail after the submission, mail me again; my university mail sometimes is not compatible with your mail system. BASICS 1)      All my postgraduate students (PhD/MA) students (regardless of your registration status) are expected to submit ONE 500-800 word response paper (in WORD document); for research students, it is an option; 2)      For this assignment, you should work on a specific topic from the syllabus (NOT possible to work on irrelevant topics, like a chapter from your own thesis), and you should engage with at least TWO reading(s) from the syllabus, and ONE external reading ; 3)      The submitted WORD file should contain “ SEMINAR20” + the student’s name in its file name; 4)      Preferred referencing style is Harvard (a link of the style has been embedded in the first post in our course blog) . Please self-study the style (Citation Tools will help you to do the jo

Week 12 ★ July 10th GENDER & BIOPOLITICS I Week 13 ★ July 17 th GENDER & BIOPOLITICS II Week 14 ★ July 24th  DIGITAL FILMMAKING & NEW MEDIA II Week 15 ★ July 31st DIGITAL FILMMAKING & NEW MEDIA II

Required Reading Hagener, M. (2016). Cinephilia and Film Culture in the Age of Digital Networks . In M. Hagener, V. Hediger, & A. Strohmaier (Eds.), The State of Post-Cinema (pp. 181–194). Palgrave Macmillan UK. https://doi.org/10.1057/978-1-137-52939-8 McKenna M. (2017) Whose Canon is it Anyway?: Subcultural Capital, Cultural Distinction and Value in High Art and Low Culture Film Distribution . In: Wroot J., Willis A. (eds) Cult Media . Palgrave Macmillan, Cham

if you do not know what it is, please email to Ma Ran. best Ran